Between author’s right and copyright: An analysis of the expansive effect of the jurisprudence of the Court of Justice of the European Union on British Copyright Law
Authors
-
Felipe Osorio Umaña
University College London
http://orcid.org/0000-0002-0727-0324
Abstract
The article analyses how the European armonization of intellectual property has expanded the UK’s Copyright. The article will start by explaining in which sense the expression expansion needs to be understood. Secondly, the article will discuss how the ruling in Infopaq International A/S v. Danske Dagblades Forening has prompted an expansion of UK copyright’s fundamental concepts. Thirdly, the article will analyse how the judicial interpretations of originality, subject matter, and infringement have changed post-Infopaq. It will be concluded that the change of interpretation has expanded the copyright system, having negative effects on users’ freedoms and favouring authors’ property claims.Keywords:
Infopaq, originality, infringement, subject matterReferences
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expansion and the publishing industry. Londres y Nueva York: Routledge.
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Yale Law Journal, 106 (2): 283-387. DOI: 10.2307/797212.
Pila, Justine y Paul Torremans (2016). European Intellectual Property Law. 2.ª ed.
Oxford: Oxford University Press.
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99-121. Disponible en https://bit.ly/3lbVH59.
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were new». En Brad Sherman y Leanne Wiseman (editores), Copyright and the
challenge of the new (pp- 1-10). Amsterdam: Kluwer International.
Sunder, Madhavi (2012). From goods to a good life: Intellectual property and global
justice. New Haven y Londres: Yale University Press.
Teubner, Gunther (1987). «Juridification concepts, aspects, limits, solutions». En
Gunther Teubner (editor), Juridification of social spheres: A comparative analysis
in the areas of labor, corporate, antitrust and social welfare law (pp. 3-48). Berlín y
Nueva York: W. de Gruyter.
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Press.
Waelde, Charlotte y Hector MacQueen (2007). Intellectual property: The many faces
of the public domain. Cheltenham: Edward Elgar.
Walker, Elisa (2014). Manual de propiedad intelectual. Santiago: Thomson Reuters.
Woodmansee, Martha (1984). «The genius and the copyright: Economic and legal
conditions of the emergence of the “author”». Eighteenth Century Studies, 17 (4):
425-448. DOI: 10.2307/2738129.
transient” exception». The Cambridge Law Journal, 68 (3): 520-523. DOI: 10.1017/
S0008197309990419.
Aplin, Tanya y Jennifer Davis (2017). Intellectual property law: Text, cases and materials.
2.ª ed. Oxford: Oxford University Press. DOI: 10.1093/he/9780198743545.001.0001.
Barron, Anne (2002). «Copyright law and the claims of art». Intellectual Property
Quarterly, 4: 368-401. DOI: 10.2139/ssrn.346361.
Bently, Lionel (2008). «R. v The Author: From death penalty to community service:
20th Annual Horace S. Manges Lecture, Tuesday, April 10, 2007». Columbia Journal
of Law and the Arts, 32 (1): 1-110.
Bently, Lionel y Brad Sherman (1999). The making of intellectual property law. Cambridge:
Cambridge University Press.
Bently, Lionel, Brad Sherman, Dev Ganjee y Phillip Johnson (2018). Intellectual property
law. 5.ª ed. Oxford: Oxford University Press.
Biagioli, Mario (2011). «Genius against copyright: Revisiting Fichte’s proof of the
illegality of reprinting». Notre Dame Law Review, 86 (5): 1.847-1.868. Disponible
en https://bit.ly/3FTkDGj.
Biron, Laura y Elena Cooper (2016). «Authorship, aesthetics and the artworld: Reforming
copyright’s joint authorship doctrine». Law and Philosophy, 35 (1): 55-85.
DOI: 10.1007/s10982-015-9244-y.
Boyle, James (1996). Shamans, software, & spleens: Law and the construction of the
information society. Cambridge, Massachusetts y Londres: Harvard University
Press.
—. (2003). «The second enclosure movement and the construction of the public domain
». Law and Contemporary Problems, 66 (1-2): 33-74. Disponible en https://bit.
ly/3HW5mGL.
—. (2008). The public domain: Enclosing the commons of the mind. New Haven y Londres:
Yale University Press.
Burrel, Robert y Allison Coleman (2005). Copyright exceptions: The digital impact.
Cambridge: Cambridge University Press.
Chander, Anupam y Madhavi Sunder (2004). «The romance of the public domain».
California Law Review, 92 (5): 1.331-1.373. DOI: 10.2307/3481419.
Cohen, Julie (2006). «Copyright, commodification, and culture: Locating the public domain». En L. Guibault y O. Hugenholtz (editores), The future of the public domain (pp. 121-166). Holanda: Kluwer Law International.
Deazley, Ronan (2006). Rethinking copyright: History, theory, language. Londres: Edward Elgar.
Derclaye, Estelle (2010). «Infopaq International A/S v Danske Dagblades Forening (C-5/08): Wonderful or worrisome? The impact of the ECJ ruling in Infopaq on UK Copyright Law». European Intellectual Property Review, 32 (5): 247-251.
Drahos, Peter (1996). A philosophy of intellectual property. Londres y Nueva York: Routledge.
Ginsburg, Jane C. (1990). «A tale of two copyrights: Literary property in revolutionary France and America». Tulane Law Review, 64 (5): 991-1.031. Disponible en https://bit.ly/3DZRJnI.
Goldstein, Paul (2003). Copyright’s highway: From Gutenberg to the celestial jukebox. Stanford: Stanford University Press.
Greenleaf, Graham y David Lindsay (2018). Public rights: Copyright’s public domain. Cambridge: Cambridge University Press. DOI: 10.1017/9781316460214.
Griffiths, Jonathan (2009). «The “three-step test” in European Copyright Law: Problems and solutions». Intellectual Property Quarterly, 4: 428-457.
—. (2013). «Dematerialization, pragmatism and the European copyright revolution». Oxford Journal of Legal Studies, 33 (4): 767-790. DOI: 10.1093/ojls/gqt017.
Habermas, Jurgen (1986). «Law as medium and law as institution». En Gunther Teubner (editor), Dilemmas of law in the Welfare State. Berlín y Boston: W. de Gruyter.
Handig, Christian (2010). «Infopaq International A/S v Danske Dagblades Forening (C-5/08): Is the term “work” of the CDPA 1988 in line with the European directives?». European Intellectual Property Review, 32 (2): 53-57. Disponible en https://www.jstor.org/stable/24562800.
Heller, Michael (2013). «The tragedy of the anticommons: A concise introduction and lexicon». The Modern Law Review, 76 (1): 6-25. Disponible en https://bit.ly/30ZPcer.
Hopper, Thomas (2011). «Reproduction in part of online articles in the aftermath of Infopaq (C-5/08): Newspaper Licensing Agency Ltd v Meltwater Holding BV». European Intellectual Property Review, 33: 331-333.
Hudson, Emily (2020). Drafting copyright exceptions: From the law in books to the law in action. Cambridge: Cambridge University Press.
Hugenholtz, Bernt (2013). «Is harmonization a good thing? The case of the copyright acquis». En Justine Pila y Ansgar Ohly (editores), The Europeanization of Intellectual Property Law (pp. 57-74). Oxford: Oxford University Press.
Hull, Gordon (2019). The biopolitics of intellectual property: Regulating innovation and personhood in the Information Age. Cambridge: Cambridge University Press.
Leiter, Brian (1999). «Positivism, formalism, realism». Columbia Law Review, 99:
1.138-1.164. Disponible en https://bit.ly/3FKI0lm.
Lessig, Lawrence (2004). Free culture: The nature and future of creativity. Nueva
York: Penguin Books.
Litman, Jessica (1999). «The public domain». Emory Law Journal, 39 (4): 965-1.023.
Disponible en https://bit.ly/3HW9BCb.
Liu, Jiabo (2013). Copyright industries and the impact of creative destruction: Copyright
expansion and the publishing industry. Londres y Nueva York: Routledge.
Netanel, Neil Weinstock (1996). «Copyright and a democratic civil society». The
Yale Law Journal, 106 (2): 283-387. DOI: 10.2307/797212.
Pila, Justine y Paul Torremans (2016). European Intellectual Property Law. 2.ª ed.
Oxford: Oxford University Press.
Rosati, Eleonora (2019). Copyright and the Court of Justice of the European Union. 1.ª
ed. Oxford: Oxford University Press.
Rose, Mark (1988). «The author as proprietor: Donaldson v. Becket and the genealogy
of modern authorship». Representations, 23: 51-85. DOI: 10.2307/2928566.
Senftleben, Martin (2010). «The international three-step test: A model provision
for EC fair use legislation». JIPITEC: 67-82.
Sherman, Brad (2011). «What is a copyright work?». Theoretical Inquiries in Law, 12:
99-121. Disponible en https://bit.ly/3lbVH59.
Sherman, Brad y Leanne Wisemann (2012). «Copyright: When old technologies
were new». En Brad Sherman y Leanne Wiseman (editores), Copyright and the
challenge of the new (pp- 1-10). Amsterdam: Kluwer International.
Sunder, Madhavi (2012). From goods to a good life: Intellectual property and global
justice. New Haven y Londres: Yale University Press.
Teubner, Gunther (1987). «Juridification concepts, aspects, limits, solutions». En
Gunther Teubner (editor), Juridification of social spheres: A comparative analysis
in the areas of labor, corporate, antitrust and social welfare law (pp. 3-48). Berlín y
Nueva York: W. de Gruyter.
Unger, Roberto (1986). The critical legal studies movement. Harvard: Harvard University
Press.
Waelde, Charlotte y Hector MacQueen (2007). Intellectual property: The many faces
of the public domain. Cheltenham: Edward Elgar.
Walker, Elisa (2014). Manual de propiedad intelectual. Santiago: Thomson Reuters.
Woodmansee, Martha (1984). «The genius and the copyright: Economic and legal
conditions of the emergence of the “author”». Eighteenth Century Studies, 17 (4):
425-448. DOI: 10.2307/2738129.
